Posts Tagged ‘trey anastasio

02
Dec
11

Free Phish Friday!

HiFi recently received an update on the companies iPhone that Phish will broadcast highlights of the legendary 1997 Hampston/Winston-Salem shows Thursday (yesterday), Friday, and Saturday at 2:00 via the LivePhish.com website radio.  There is no need to sign up; it simply requires a click of your mouse on the Listen link and viola!

I listen to the LivePhish.com radio station on a very regular basis and have found it easy to use and often updated with fresh live material.  This special stream they are offering at 2:00 should be a treat, check it out if you can!

24
Oct
11

Trey Anastasio – Free TAB six-pack

Totally 0ld news since it was made available last month; but if you are not aware of the free six-pack sampler offered on the LivePhish.com website it is worth your time.  As many know, Trey and his band made several stops along the US earlier this year to select cities spreading their incredible music throughout.

This sampler is worth downloading, sadly there is nothing from the Albany, NY show in this mix, but regardless, I’m just happy that it’s free!

You can find the download at livephish.com and will need to set up a free account and password.  The free downloads offered by LivePhish are temporary, so you need to act quickly before they take it down.

Check it out and let us know what you think!

08
Sep
11

Phish Benefit Concert – 9/14 Essex Junction, VT

Many people here in the US are well about the devestating flooding in Vermont and other states in the Northeast as a result of hurrican Irene.  Vermont, being the small state that it is, suffered probably the worst due to the abundance of small streams turning into large rivers, which in turn washed way many low lying bridges.  Many of these bridges were on small two lane roads that were the only direct routes between anywhere and no where; many were left stranded and unable to receive aid for many days.

Phish has announced a last minute concert to raise both awareness and funds to provide relief to Vermonters affected by this devestating storm.  The band will play in Essex Junction, Vermont; tickets go on sale at 10:00 this Saturday, September 10th.  If you would like more information please click here.

06
Jul
11

Live Bait Vol. 5 – Free Phish Download

Life sometime just throws you out some random sprinkles of joy  that make you smile, today is one of those days!

Live Bait Vol. 5 has been released to masses from  LivePhish.com this morning!

I’ve been very impressed with the quality and quantity of material they make available for free every once an awhile; this band clearly knows how to keep their fan base happy on a consistent basis. 

Check out LivePhish.com today and download your newest copy of this incredible live series of free shows and let us know what you think!

21
May
11

Live Bait Vol. 4 – free Phish download!

Released today on Livephish.com you can pick yourself up the newest Live Bait volume of hand picked live material direct from the source.  You will need to set up a free account in order to be eligible.

Check it out by going to Livephish.com

10
Mar
11

To sit or stand? The grand concert dilemma

 As many of you may have read HiFi recently attended a Trey Anastasio show in our city and it was incredible.  Well, perhaps I should say that it was incredible for some of us and “incredibly frustrating” for others; specifically those in the row behind us.

Unlike the Al Dimeola show that we attended last year whereas everyone sat in their chairs almost the entire show except for the encore; the Trey show was the complete opposite; since for the entire 3-hour show it was voluntary standing room only!  Perhaps concerts depending on the artist are one of those classic “buyer beware” situations; clearly Phish and Trey shows are full of people that clearly want a “quality” experience, and well, standing and dancing are all part of getting your monies worth at a show.  Having it be my first Trey show, clearly I understood why people want to groove all night long, it’s more than just a concert; it’s an experience unlike anything I’ve witnessed. 

The issue at the Albany show was that my row consisted (on average except for my HiFi pal Ericstraus who’s about 5’10″) of an average height of about 6’3″, so for the poor soul’s behind us who were shorter, it must have been a bit of a bummer not being able to see as well as they may have hoped. 

Was this our fault that they could not see a majority of the show? 

Well, no, but they again yes. Yet, if everyone was standing and I decided to sit down being courteous was I then cheating myself ?  Clearly if I did then I wasn’t going to see anything.   So my question is:

When does traditional courtesy take a backseat and the general theme or behavior of the majority define what is and what is not appropriate?  And does it?

During the end of the first set one of the people in my row, a father and son who each were around 6′ 6″ were haggled by the older folks behind then about their ability not to see the show; it actually got a bit ugly and words were exchanged to almost the point of a physical confrontation, not cool.  The father was merely defending his son (and his) right to stand as rightful ticket holders and that they were not purposely doing anything intentional to spoil the row behind them and their evening; it was simply just what it was.  I had to agree with the father, how did he own any of their inconvience other than being born tall?

Luckily, fellow Trey fans settled the issue down and the father regained  his composure, but it does present a very fickle issue.  The father even commented later to both of us that out of all the Phish and Trey shows he had attended this was the first time that it was an issue, otherwise people are usually very cool and make the situation the best regardless.

However, when you look at it, it is a bit retarded to stand at a concert when you have a perfectly good seat.  Ok, so a Trey show is probably a bad example since clearly it is an opportunity to dance and move more than just tapping your feet and slapping your knee.  But why do we feel compelled to stand at shows where we could sit, like a Rush concert?  I don’t recall dancing to Tom Sawyer or Natural Science, have you?  At best it would be better for a fan to sit while pretending  (like the other thousand 30-something geeks in attendance) that  their Neil Peart drumming to YYZ.   Why the need to stand at metal or rock concerts, do we think that the lead singer is going see us?  Do we feel that we can see better?  I think it’s kind of goofy that we feel compelled to stand for hours, especially when a ticket costs on average $40+. 

I recall several concerts that I attended during high school (ZZ Top and Robert Plant) where I had tickets on the sides of the arena, probably the best place to see a show in my opinion; you are up high, got a great view, and can see above the crowd below.  But oddly, people still chose to stand the entire concert, which made me have to stand since I could not see.  Perhaps, it’s just a domino effect, whereas one person starts the standing thing and ruins it for the rest and then they have to stand, and it goes on, and on, and on…ugh.

What is your experience and thoughts on this issue?

08
Mar
11

Mike Gordon – Free Download @ Livephish.com

Just recently announced on LivePhish.com you can download an entire Mike Gordon solo show recorded last year during his 2010 tour.  The sound quality is top rate and the music is top notch.  You can download the entire show for free once you have set up a username and password (takes about 30 seconds).

The only other Mike Gordon concert I have is a gig he did with the legendary guitarist Leo Kottke; you can get that show free at Nugs.net (click the Free Stash link on the top right side of the Nugs homepage).

Now only if they would release those Trey recent shows for free with or without a ticket stub, c’mon LivePhish hook us up!!!!!!

Click here to download the show and let us know what you think, eh?

25
Feb
11

Trey @ The Palace 2/19/11 Download Available!

LivePhish.com has just made the 2/19/11 TAB show in Albany, NY show at The Palace Theater available on their site.  Check it out; sadly it would appear that the code on my ticket does not seem to be redeemable for a free download like much of what LivePhish offers for Phish concerts; perhaps this is either in the works or an oversight.  If you know, please give drop us an email if you have had any success.

Update: Per the folks at LivePhish.com there are NO free downloads of with this TAB tour.  So, the code on your ticket stub means zilch!!! Such a bummer.

The show was simply incredible and if Trey is coming to your town AND you have tickets (cuz’ there ain’t no more left to git!) you will throughly enjoy yourself.

You can see this download and many others at LivePhish.com

21
Feb
11

Trey and TAB show review: The Palace Theater 2/19/11

“I have a few friends here tonight,” said Phish frontman Trey Anastasio at the Palace Theater in Albany last Saturday night. If by “few” he meant close to 3,000, he was right on. Smoke is still visible from the smoldering crater where the Palace once stood, thanks to Trey, along with his 7-piece band (collectively known as TAB, for the Trey Anastasio Band). They razed the venue to the ground on Saturday night, enthralling the sold-out crowd first with an acoustic set comprised of nearly all Phish songs, and then an electric set that was, well – electrifying.
Trey made a couple of references to being “home,” (he did spend some time in Albany during his drug court appearances and community service tasks in 2008) and if home is where the heart is, it sure rang true on Saturday. Trey looked truly excited and grateful to be playing a relatively intimate show with his die-hard fans, pumping his fists and smiling ear to ear after every song.
The crowd sang along jubilantly during the first set, with the opener “Free” setting the tone, and groovy acoustic versions of Phish songs like “The Wedge,” “Prince Caspian,” and “Stealing Time from the Faulty Plan” followed. But the most poignant moment of the entire show, for me anyway, came during “Backwards Down the Number Line,” which as a Phish song features prominent backing vocals. During Trey’s acoustic version, which he introduced by saying he wrote it during his stay in Albany, the audience provided the backing vocals (with perfect timing, I might add). In essence, 3,000 crazed Phish-heads weren’t just singing along with Trey – we were jamming with him. He sang his part, we sang the backing part. It created this amazing feeling of intimacy, of connection to the artist. And it continued with the next song “Limb By Limb,” which featured a couple of back-and-forth vocal verses between Trey and the crowd; again, it was an incredible thing to be a part of. The most interesting reworking of all the Phish songs Trey performed that night was Guelah Papyrus, a weird little jazzy tune. Trey changed up the timing and structure of the song for his acoustic version; sometimes in the grand scheme of Phish, Trey’s individual ability gets criticized because his songwriting now isn’t anything like it was 20 years ago. But to rearrange an older song like Guelah into something fresh and interesting is a testament to how talented the man really is. The last four songs of the set saw other members of TAB filter on to the stage. Vocalists/horn players Natalie Cressman and Jennifer Hartswick joined Trey for the sappy but beautiful Wading in a Velvet Sea, which Trey dedicated to his longtime songwriting partner Tom Marshall, seated in the crowd; then keyboardist extraordinaire Ray Paczkowski joined the others for the older Trey solo song Black; and for the last two songs the rest of the band appeared – Tony Markellis on bass, Russ Lawton on drums and Russ Remington on sax and flute. They did a great version of the relatively new Valentine, and then closed the first set with an amazingly different version of The Devil Went Down to Georgia. Trey introduced the song as a “klezmer blues” song, referring to that fast-tempo music usually heard at Jewish celebrations. It was unclear what he meant until the song began – the fiddle part in the original song was covered by the horn section, and it truly did sound like klezmer music (see the video at the bottom). The crowd went crazy and we were all pumped for the electric set after the intermission.
And that set began with a bang – the grand horn-driven funk of Money, Love and Change whipped the crowd into a frenzy of dancing, as Trey and the band jammed it out for a good 10 minutes. After the straight-up blues of Done Did It, the band presented a rearrangement of the Phish tune Ocelot; it was an interesting version with the added horns, but overall it didn’t add much to the original version. Then TAB pulled a crazy cover out of their bag of tricks, taking on the Gorillaz’ Clint Eastwood. The band played it perfectly, with Hartswick easily handling the rap portions – the crowd went bananas. A scorching Night Speaks to a Woman followed that, with another extended funk-rock jam that pushed the energy level to the limit. The Toots and the Maytals song Sweet and Dandy came next, a cool reggae tune that was fun to hear, followed by the Five Stairsteps’ Ooh Child, a somewhat boring version of a somewhat boring song. Going back to the reggae sound, TAB played the very rare Trey/Phish song Windora Bug, a quirky treat to hear. The other two highlights of the set were Sand and Push On Til the Day; TAB laid down a great groove for Sand and jammed it out extensively, while Push On brought the energy level to a new high, reaching a huge climax at the end of the long jam segment and sending the crowd into apoplexy.
The encore was Cayman Review, a solid funky tune that ended the show with the same enthusiasm as it began. All in all it was a fantastic show, and TAB seemed to be having a ton of fun, reflected by the singing and dancing of the audience. It’s the vibe of a Phish show in a much smaller setting, creating a whole new experience.
This show gets 4.5 out of 5 stars!

16
Feb
11

No Trey for You!

 At this time it can be officially said that Trey Anastasio and Classic Tab’s show at The Palace is SOLD OUT!  Sweet for us ticket holders, sucky for you lame-o’s who waited until the last minute.  Luckily, I’m sure you can scalp a ticket for around $120 the night of the show, ouch!

Last I checked there were only two shows (oddly both in Pennsylvania) that were still available for tickets, but all others are sold out as well.  I’m very excited for this Saturday’s show, I’m sure it will be well worth the wait. 

Check back on monday for a full review of the show.




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